Welcomes, introductions
Prof. Haim Bresheeth, University of East London
- Keynote: Cyberculture and Digital Arts
Kia Ng & Bee Ong, University of Leeds
- Components of Interactive Multimedia: Performance and Preservations
Marilene Oliver, Royal College of Art, London
- Resurrecting the Digitised Body: The Use of the "Scanned in" Body for making Artworks
Kasia Molga Delija, London
- Wireless Art: What are the Possibilities of Application of Mobile Communication Media to a Modern, Visual Art Practice and as a Medium of Expression?
Simon Hollington & Kyp Kyprianou, London
- Technology and the Uncanny
Stuart Jones, Central St Martins College, London
- Why just Visualisation?
Alan Chalmers, Eva Zanyi et al
- Light and Byzantine Glass Tessera
Jeff Rees, Wales
- Making the Spheres Sing: exploring the technological terrain of a new digital art work
Kia Ng, University of Leeds
- 3D Motion Data Analysis and Visualisation for String Practice Training
Helen Bailey, University of Bedfordshire, Luton
- A practice led choreographic investigation using collaborative stereoscopic access
Chair: Roger Hargreaves, London College of Communication
Larisa Urnysheva, Southern Federal University, Rostov-on-Don, Russia
- The Novgorod Letters with Seals
Jodie Walz, University of Minnesota, USA
- Crossing Collections and Creating Access via a Union Catalog
Jonathan Bowen, South Bank University, London
- An Experimental Wiki for Museums
Kyp Kyprianou & Simon Hollington, London
- The Invisible Force Field Experiments
Nicola Schiavottiello, University of Southampton
- Archaeological practice, dissemination and education through VR and AR
Charalampos Chaitas, Municipality Gallery of Athens, Greece
- The Necessity to Change the Collection Management Models of the Contemporary Art Museum
Chao Yu Lin, De Montfort University, Leicester
- Exhibit content and learning-related behaviours in 3D on-line museum environments
Silvia Filippini-Fantoni, Antenna Audio Ltd, London
- Evaluating the Use of Mobile Phones for an Exhibition Tour at the Tate Modern: Dead End or the Way Forward?
Marilene Oliver, Royal College of Art
- Resurrecting the Digitised Body: The Use of the ëScanned iní Body for making Artworks
Graham Diprose, London College of Communication
- Escape from Flatland
Steve DiPaola, Simon Fraser University, Vancouver, Canada
- Knowledge Based Approach to Modeling Portrait Painting Methodology
Harp music from Geraldine McMahon http://www.geraldinemcmahon.com/