Registration is now open for EVA London 2007, to be held in the London College of Communications, University of the Arts London.
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9.30:Research Workshop
WORKSHOP 1
Organiser: Kate Devlin
2.00: European Research Workshop
WORKSHOP 2
3D Models for Cultural Heritage Applications
Organiser: Francesco Spadoni
9.30: Museums Workshop
WORKSHOP 3
Planning social media for museums
Organiser: Dr Angelina Russo
2.30: Association of Heritage and Fine Art Photographers Workshop
WORKSHOP 4
Ethical considerations for the digital photography of
cultural heritage objects
Organiser: James Stephenson
2.00: European Digital Library Workshop
WORKSHOP 5
Organiser: David Dawson
Evening, 6.30: Computer Arts Society Meeting
Birkbeck College
Organiser: Nick Lambert
CONFERENCE DAY 1
9.30: The technological landscape: theory and ideas
pm: Visualisation: the museum & gallery context
2.00: JISC Workshop
WORKSHOP 6
ICT: New directions in e-Science & the Arts
Organisers: Ann Borda, Stuart Dunn
Tour of the Stanley Kubrick Archive
CONFERENCE DAY 2
9.30: Digital arts & technologies
pm: Digital arts & technologies
pm: Panel Session: Archiving of Digital Artefacts
Visualisation Session
Conference Reception and Dinner
CONFERENCE DAY 3
9.30: Imaging in 2D and 3D
pm: Imaging in 2D and 3D: EC projects
Screening: Digital arts from SMARTlab
All workshops are free of charge except for Workshop 3. Please register using the downloadable registration form.
Morning workshops start at 9.30: afternoon workshops start at 2.00 except the Wednesday afternoon workshop with JISC that starts at 1.00. All workshops are held at the London College of Communications, except for the evening CAS meeting, at Birkbeck College.
9.30: WORKSHOP 1
Research Workshop
Organiser: Kate Devlin
Join in the fourth in the highly successful series of research workshops held as part of EVA London. Meet fellow students, or learn about new research.
2.00: WORKSHOP 2
European Research Workshop
3D Models for Cultural Heritage applications
Organiser: Francesco Spadoni
This workshop will provide an international forum for discussing recent advances in the area of 3D modeling and visualisation technologies for cultural heritage, bringing together international stakeholders from cultural institutions and museums, university and research organisations.
9.30: WORKSHOP 3
Museums Workshop
Planning social media for museums
Organiser: Angelina Russo
Angelina Russo and the presenters are from Queensland University of Technology and the Powerhouse Museum, Sydney, Australia. This half-day workshop will explore the use of social media (blogs, wikis, digital stories etc.) to support museum communication. The workshop will address
• The range of web-based social media available to museums.
• The issues that will arise in planning for such applications.
• How to anticipate/address such issues.
pm: Concurrent workshops
2.00: WORKSHOP 4 (concurrent)
Association of Heritage and Fine Art Photographers (AHFAP)
Ethics of the digital manipulation of images of cultural heritage objects
Organiser: James Stevenson, Victoria & Albert Museum, London
This EVA workshop, supported by AHFAP, the professional association for museum, gallery and photographers of cultural heritage in the UK, will provide a forum to discuss the ethics of the manipulation of images in this sector.
2.00: WORKSHOP 5 (concurrent)
European Digital Library
Museums and the European Digital Library: a call to action
Organiser: David Dawson
This free workshop is a call to action for museums across Europe, from the largest national museums to the smallest local museum. Museums are an essential part of the European Digital Library. The workshop will present some of the latest developments at both political and technical levels
Evening:
- 6:30 pm
Computer Arts Society meeting at the Cinema on the Square, No.43 Gordon Sq, Birkbeck, University of London
'Ecology, Performance and Collaboration - Embodying Intimate Transactions' by Keith Armstrong.
Keith is an Australian/English interdisciplinary media artist from Queensland University of Technology and recently Calpoly State University, California.
This evening event is in association with the Computer Arts Society
Organiser: Nick Lambert
(concurrent with conference afternoon session)
1.00: WORKSHOP 6:
JISC ICT Workshop
New directions in e-Science & the Arts
Organisers: Ann Borda, Stuart Dunn
The half day workshop will be comprised of several thematic areas which will focus on how the take-up of e-Science is developing new areas of research in the Arts & Humanities community, including the performing arts and humanities research.
Evening: Reception and tour of the Kubrick Archive
The Stanley Kubrick Archive is held in the University Archives and Special Collections Centre at the Elephant and Castle. It is made up of an astounding range of material including papers, props and scripts, Kubrick's personal research into films made, as well as those that were conceived but never visualised. By maintaining a high degree of control in the film making process, Kubrick was able to retain material generated by his pioneering techniques, research, and production work which renders this collection one of the most complete examples of film making practice world-wide. The Archive is integral to the history of
the cinema and film, but perhaps more poignantly demonstrates articulately the process of artistic creation, through a portrait of an individual who had a rigorous attention to detail in all aspects of his work.
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At the Screen on Gordon Square
Ecology, Performance and Collaboration - Embodying Intimate Transactions.
6.30 Tuesday 10th July
Intimate Transactions is a dual site, telematic installation currently been shown in the US. It allows two people located in separate spaces to interact simultaneously using only their bodies (predominantly their backs and feet), using two identical interfaces called 'Bodyshelves'. During a 30-minute, one-on-one session their physical actions allow them to individually and collaboratively explore immersive environments. Each participant's own way of interacting results in quite different, but interrelated animated and generative imagery, real time generated audio (seven channels), and three channels of haptic feedback (felt in the stomach and back). This experience allows each participant to begin to sense their place in a complex web of relations that connect them and everything else within the work.
Intimate Transactions is an investigation in creating embodied experiences that are both performative and improvisational by harnessing individual, performative languages of 'untrained' bodies as a means to engender understandings of 'ecological' relationship. It arose from a deep collaboration between media artists, performance practitioners, sound artists, hardware and software engineers, a furniture maker and a scientific ecologist. Our entire process was informed by a praxis-led approach to art making that stressed embodied connectivity and inseparability. This allowed us to understand how participants might move within the constraints of a particular interface, allowing us to shape and form the overall phrasing and sensibilities of their experiences, whilst maintaining the unique nature of their collaborative experiences. In this presentation Keith will discuss his practice-led research approach and illustrate the presentation with videos, images and sound. (www.intimatetransactions.com).
Keith Armstrong is an Australian/English interdisciplinary media artist, Australia Council New Media Arts Fellow, Queensland University of Technology Faculty of Creative Industries Research Fellow and has just finished a Visiting Professorship at Calpoly State University, California, working in collaboration with their Liberal Arts and Architecture Faculties.
His recent work Intimate Transactions, created with the Transmute Collective, received an Honorary Mention in the 2005 Prix Ars Electronica and featured in the 2005 Ars Electronica Festival in Austria. His latest interactive installation, Shifting Intimacies, was presented at the ICA London in March 2006.
Email: keith@embodiedmedia.com Web: www.embodiedmedia.com
Monday 9th July: 9.00
FREE OF CHARGE
Organiser: Kate Devlin research-workshop@eva-conferences.com
Join in the fourth in the highly successful series of research workshops held as part of EVA London. Meet fellow students, or learn about new research.
The Research Workshops bring together Masters and PhD students and individual researchers. They are friendly, informal occasions for sharing current work and future dreams and plans.
Topics for this Workshop include:
The Evolution of Online Discussions in Images
Niki Lambropoulos
London South Bank University
A Computational Investigation Into Sketching.
Patrick Tresset
Goldsmiths, University of London
Collaborative artistic / curatorial practice
Giles Askham
On line cultural anthropology magazine
Nataly Lapkina
Web 2.0 social software as a tool for art museums
Pilar Gonzalo
Baltic Sea cultural database network
Mario Zetsche
Contact Kate Devlin research-workshop@eva-conferences.com
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Monday 9th July: 2.00
FREE OF CHARGE
Organiser: Francesco Spadoni spadoni@rigel.li.it
Because it appeals to a wide audience, the cultural sector can supply several compelling forms of digital content suited for a diverse spectrum of uses, ranging from learning and entertainment to study of art history and cultural documentation. For this reason, the development of culture-related IT products and services has been the focus of a large number of efforts worldwide, originating both from companies and Government agencies. This is particularly true in Europe because of its immense repository of artistic treasures. One of the most effective media for visual representation of complex cultural artefacts is that of high-quality 3D graphical models.
3D models for cultural heritage applications constitute a new and exciting way for the general public to experience and appreciate culture and art. Apart from new means of presentation and access, such 3D models enable the development of novel paradigms in cultural heritage exploration and preservation. This workshop will provide an international forum for discussing recent advances in the area of 3D modeling and visualisation technologies for Cultural Heritage, aiming at bringing together international stakeholders from cultural institutions and museums, university and research organisations. We also welcome project coordinators and partners of recent and current EC co-funded project active in relevant sectors and invite them to disseminate the results achieved as well as to describe on-going research activities. The workshop is organised in conjunction with EVA London 2007 and the EC co-funded project RECOVER. This workshop is the latest in the series of exciting workshops on 3D technologies for Cultural Heritage organised for many years by EVA.
* To present high level research in the areas of 3D digitisation, modeling, visualization, etc
* To share practical experiences concerning the acquisition and use of 3D models,
* To show results of past and currently active projects which demonstrate the benefits of 3D modeling and visualization for Cultural Heritage applications,
* To attract managers and directors of cultural institutions and museums to demonstrate the potential of innovative techniques for 3D visualization in Cultural Heritage applications.
Francesco Spadoni (chair )
Rigel Engineering S.r.l.
Research and Development Unit
Via Spagna, 10 - 57017 Livorno – Italy
e-mail: spadoni@rigel.li.it
phone: +39 0586 983000
Skype: spadaman-71
Programme Committe
Manolis Lourakis (FORTH, Greece) (co-chair)
Francesco Spadoni (Rigel Engineering, Italy)
Paolo Alongi (Space, Italy)
Filippo Lippi (Unicity, Italy)
Dominique Delouis (CHOL, France)
Piero Alcamo (Rigel Engineering, Italy)
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Tuesday 10th July: 9.30
Organisers: Angelina Russo, Jerry Watkins: Queensland University of Technology, Australia
Sebastian Chan: Powerhouse Museum, Sydney
Charge: £40
This half-day workshop will explore the use of social media (blogs, wikis, digital stories etc.) to support museum communication. The workshop will address:
• The range of web-based social media available to museums.
• The issues that will arise in planning for such applications.
• How to anticipate/address such issues.
The workshop will be structured around four key topics:
• Changing communication models in the museum.
• Connecting youth audiences to museum content.
• Navigating internal resistance to implementing social media
• Strategies for engaging communities in the sharing of knowledge.
Workshop participants will work in small groups to explore each of the topics and work towards an understanding of how social media can be used effectively in museums.
Through small group activities, participants will address these questions:
• How far is the museum willing to relax its own authority in these areas of
knowledge?
• To what extent is the museum willing to promote community knowledge over its
own?
• How do social media effect museum communication?
• How will social media in museums contend with notions of authenticity and quality?
By examining these questions, the workshop aims to explore:
• The affect that accessible social media will have on the “voice and authority” of the museum.
• How social media will engender online, networked user interactions.
• Changing notions of sharing and presenting cultural identity in museums.
Major museums worldwide are starting to use social media to engage online users with new interactive experiences. While a few museums have begun to adopt social media in a significant fashion, there remains a lack of research into the design and communication processes by which museums can create and sustain user interaction with social media. This workshop will explore the use of social media in a manner which encourages user participation.
Social media enable cultural participants to both explore images of themselves and distribute those images across niche online social networks. This represents a shift in the ways in which museums:
• act as trusted cultural online networks;
• distribute community knowledge; and
• view their role as custodians of cultural content.
It is this broader distribution of community knowledge which sets social media apart from more traditional outreach models in which museums work with audiences. As the products of social media are readily available online, their existence within museum communication programs presents debate around an institution’s investment in its own continuing cultural authority.
This workshop will provide you with an opportunity to brainstorm solutions to issues surrounding the use of social media in museums.
Content Creators, Exhibition/IT managers, Website Producers, public Programmers, curators.
The workshop is open to those interested in exploring the use of social media to extend user communication with museum programs.
No prior experience or technical expertise is required.
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2.30 - 5.00 pm: Tuesday 10th July
FREE OF CHARGE
Organiser: James Stevenson, Victoria & Albert Museum, Chair of the Association j.stevenson@vam.ac.uk
The production of digital images of cultural objects contained in museums and galleries has meant that post-production alteration of the image is both easier and a more attractive option for photographers than in tradional film. Although the opportunity to change photographic images has always been possible, now with digital image creation and Photoshop it has become democratised so that it is possible for anyone, not just skilled creative technicians.
The purpose of this EVA workshop, supported by AHFAP, the professional association for museum, gallery and photographers of cultural heritage in the UK, is designed to provide a forum to discuss the ethics of the manipulation of images in this sector. Short presentations will be followed by an open and free discussion on the issues raised. Anyone wishing to make a short illustrated presentation, of no more that ten minutes, on any aspect of this topic is asked to contact the EVA organising committee or the Chairman of the AHFAP.
The workshop is free to applicants and everyone interested in heritage photography is encouraged to come to discuss this important topic.
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2.00: Tuesday 10th July (concurrent with Workshop 4)
FREE OF CHARGE
Organisers:
David Dawson, Senior Policy Advisor (Digital Futures), Museums, Libraries and Archives Council
Jill Cousins, TEL
The European digital library aims at making Europe's cultural and scientific heritage easier and more interesting to use online. It builds on Europe's rich heritage, combining multicultural and multilingual environments with technological advances and new business models to achieve a multilingual access point to cultural collections from all Member States. By 2010 the European digital library will expand to include collections from archives, museums, libraries, and possibly publishers.
European digital library project http://www.edlproject.eu/
This free workshop is a call to action for museums across Europe, from the largest national museums to the smallest local museum. Museums are an essential part of the European Digital Library, and this workshop will present some of the latest developments at both political and technical levels, including:-
• the outcomes of the first meeting of the Member State Experts Group. This has been established by the European Commission to ensure collaboration between Member States and the European Commission in the development of the European digital library
• the recommendations of the Interoperability Group
• the latest news about the creation of a cross-domain foundation for the European digital library
The creation of the European digital library is being supported by the eContentplus programme, with approximately €20m allocated in 2007. The programme will aim to achieve interoperability between national digital collections and services (e.g. through common standards) and ensure that these will be accessible through the multilingual European digital library service.
• Jill Cousins, Director of The European Library, The European Library is an Internet portal which offers access to the combined resources of national libraries in Europe, and is one of the foundations of the European digital library.
• David Dawson, Senior Policy Adviser for Digital Futures at the Museums, Libraries and Archives Council. David is UK representative on the European digital library Member State Experts group and is a member of the European digital library Interoperability Group.
• Guus Schreiber, Professor of Intelligent Information Systems, Free University of Amsterdam. Guus is working on the MultimediaN eculture project which is using semantic web technologies to cross-search a number of Netherlands museum collections
chaired by David Fuegi, independent consultant, aimed to formulate recommendations as to how museum and galleries can actively engage in the European digital library initiative.
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1.00: Wednesday 11th July (concurrent with Conference afternoon session) followed by a presentation to the Conference at 4.50
FREE OF CHARGE BUT REQUIRES REGISTRATION
Organisers:
Dr. Ann Borda (JISC) a.borda@jisc.ac.uk)
Dr. Stuart Dunn (AHeSSC – Kings College London) stuart.dunn@kcl.ac.uk
Dr. Tobias Blanke (AHeSSC – Kings College London) tobias.blanke@kcl.ac.uk
This workshop, led by JISC (www.jisc.ac.uk) and the Arts & Humanities e-Science Support Centre (AHeSSC – www.ahessc.ac.uk ), aims to stimulate discussion around the creative and research uses of e-Science tools and methods (so-called grid technologies, and technologies integrated with them such as data-mining, simulation and visualization) in the Arts & Humanities within the UK.
The half-day workshop will focus on how the take-up of e-Science is developing new areas of research in the Arts & Humanities community, including the performing arts and humanities research.
There will be three plenary sessions to introduce key topics and provide contextual background information to a variety of work being undertaken. A set of presentations will further offer demonstrative examples of activity by projects funded by JISC, AHRC and EPSRC under the e-Science ‘umbrella’.
The outcomes of the workshop will contribute directly to a special issue in the Digital Humanities Quarterly, and a THES themed article.
Chair: Ann Borda (JISC)
Performing Arts
e-Science and Creativity (Gregory Sporton -Birmingham)
AMUC project (Sally Jane Norman –Culture Lab, Newcastle)
CSAGE Project (Martin Turner/Anja LeBlanc – Manchester)
Introduction: Intersections between Arts and the Humanities – (Stuart Dunn – AHESSC)
Frustration vs Adoption: Artists and ICT Tools (Mike Pringle – VADS)
Real-Time Expansion: the potentials of e-Science technologies within Contemporary Arts practice. (Michael Takeo Magruder – King’s College
London)
London Charter (Graeme Earl - Southampton)
SHORT DESCRIPTIONS of PROPOSED PRESENTATIONS/DEMONSTRATORS:
Gregory Sporton (University of Birmingham)
Presentation on the issues and value of e-Science processes in the Visual Arts based on a series of workshops which both explored and broke new ground in these areas, including a demonstrator of a dancer used as an HCI device.
Sally-Jane Norman (University of Newcastle)
Use of motion capture tools in the performing arts underpins activities ranging from staged productions to screen-bound works, choreographic notation and archiving, pooling artistic skills with competence from sectors including biomechanics, sensor development, information processing and display. Today's affordances opened up by Grid developments make motion capture a valuable area for interdisciplinary investigation twenty years after the animation industry first teamed up with biomechanics experts. In this project, users of motion capture resources from different disciplines are collectively devising novel annotation and retrieval methods for grid-enabled data; we thus hope to enrich the broader scientific debate with concepts and potential services enriched by Arts & Humanities perspectives.
Anja leBlanc /Martin Turner (University of Manchester)
This paper discusses research undertaken by an interdisciplinary team of academic researchers from the fields of dance and e-Science. The ‘Stereo-bodies’ project focused on exploring the ways in which choreographic practice and in particular live dance performance could engage with a stereoscopic Access Grid environment.
Graeme Earl (University of Southampton)
Mike Pringle (Visual Arts Data Service, Kings College London)
While healthy numbers of art practitioners and researchers are exploring revolutionary ideas through the use of new, computer-based, technologies, the larger majority of artists and art researchers are often frustrated with the difficulties that such advances can bring.
Frustration can be because of the seemingly steep learning curves that can be involved; due to the perceived lack of responsiveness of machines; or simply because of limited access to the necessary tools or to the funds required to make the most of them. How can the latest generation of advanced ICT tools, for example, grid technologies, help more artists to exploit, and even enjoy, technology rather than be frustrated by it?
Michael Takeo Magruder (King’s College London)
Although Contemporary Arts practice has embraced the utilisation of computer and communication frameworks for the creation of artistic products and outputs, work in this field is often limited by the potentials of mainstream technologies. This talk considers how the utilisation of HPC (high performance computing) can facilitate the progression towards complex, real-time artworks by providing an infrastructure that vastly exceeds the current computational facilities of consumer-level systems.
Bio:
Michael Takeo Magruder is an American artist based in the UK working with New and Technological Media within Contemporary Arts practice. He graduated from the University of Virginia in 1996 receiving a BA (Hons) in Biological Science. He is a long-standing member of King's Visualisation Lab in the Centre for Computing in Humanities, King's College London. Through this organisation he undertakes research, development and implementation of emerging technologies; including motion capture, immersive space and virtual environments, for use in contemporary creative and academic practice. His artworks have been showcased in over 160 exhibitions and 30 countries, including venues such as the Courtauld Institute of Art, London, EAST International 2005, Georges Pompidou Center, Tokyo Metropolitan Museum of Photography and Trans-Media-Akademie Hellerau. His works are regular inclusions in international New Media festivals, such as Cybersonica, CYNETart, FILE, Filmwinter, SeNef, Siggraph, Split, VAD and WRO. His artistic practice has been funded directly by the Esmée Fairbairn Foundation, Arts Council England, The National Endowment for the Arts, USA and numerous public galleries both within the UK and abroad. He is also recognised for his on-line arts practice and has been commissioned by leading portals for Internet Art such as Turbulence.org and Soundtoys.net.
His current interests concern the simultaneous utilisation and dissection of new technology as a means to explore the formal structures and conceptual paradigms of the digital realm. He seeks to create artworks in which there are no divisions between technologies, aesthetics, and concepts.
Web: www.takeo.org
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Welcomes, introductions
George Mallen, System Simulation Ltd, London
- Keynote: Digital Culture - whence and where to?
Michael Goldberg, University of Sydney, Australia
- Digital and Democratized Visuality
Nat Goodden, University of Gloucestershire, Cheltenham
-The Digital Sledgehammer and Other Handy Implements
Ruby Sircar, Graz University of Technology, Austria
- Misplacing Myths and Unraveling Fictions
Graeme Earl, University of Southampton
- New techniques in archaeological computing
Wolfgang Meisinger, Bogner-CC, Vienna, Austria
- The Sound of the Prince Bishop
Chao Yu Lin, De Montfort University, Leicester
- "Exhibit content and learning-related behaviours in 3D on-line museum environments"
Silvia Filippini-Fantoni, Antenna Audio Ltd, London
- Evaluating the Use of Mobile Phones for an Exhibition Tour at the Tate Modern: Dead End or the Way Forward?
Jordan Klineman, Virtual Gallerie, San Francisco, USA
- Visualising exhibits in 3D
Felicity Allen, Tate
- New tools for interpretation of Art from Tate
Mark Carnall, Grant Museum, UCL
- 3D scanning for museum collections
Stuart Dunn, JISC
- Plenary session from JISC workshop: New directions in e-Science & the Arts
Sarah Mahurter, London College of Communication
- The Stanley Kubrick Archive at LCC
Welcomes, introductions
Prof. Haim Bresheeth, University of East London
- Keynote: Cyberculture and Digital Arts
Kia Ng & Bee Ong, University of Leeds
- Components of Interactive Multimedia: Performance and Preservations
Marilene Oliver, Royal College of Art, London
- Resurrecting the Digitised Body: The Use of the "Scanned in" Body for making Artworks
Kasia Molga Delija, London
- Wireless Art: What are the Possibilities of Application of Mobile Communication Media to a Modern, Visual Art Practice and as a Medium of Expression?
Simon Hollington & Kyp Kyprianou, London
- Technology and the Uncanny
Stuart Jones, Central St Martins College, London
- Why just Visualisation?
Alan Chalmers, Eva Zanyi et al
- Light and Byzantine Glass Tessera
Jeff Rees, Wales
- Making the Spheres Sing: exploring the technological terrain of a new digital art work
Kia Ng, University of Leeds
- 3D Motion Data Analysis and Visualisation for String Practice Training
Helen Bailey, University of Bedfordshire, Luton
- A practice led choreographic investigation using collaborative stereoscopic access
Chair: Roger Hargreaves, London College of Communication
Larisa Urnysheva, Southern Federal University, Rostov-on-Don, Russia
- The Novgorod Letters with Seals
Jodie Walz, University of Minnesota, USA
- Crossing Collections and Creating Access via a Union Catalog
Jonathan Bowen, South Bank University, London
- An Experimental Wiki for Museums
Kyp Kyprianou & Simon Hollington, London
- The Invisible Force Field Experiments
Nicola Schiavottiello, University of Southampton
- Archaeological practice, dissemination and education through VR and AR
Charalampos Chaitas, Municipality Gallery of Athens, Greece
- The Necessity to Change the Collection Management Models of the Contemporary Art Museum
Chao Yu Lin, De Montfort University, Leicester
- Exhibit content and learning-related behaviours in 3D on-line museum environments
Silvia Filippini-Fantoni, Antenna Audio Ltd, London
- Evaluating the Use of Mobile Phones for an Exhibition Tour at the Tate Modern: Dead End or the Way Forward?
Marilene Oliver, Royal College of Art
- Resurrecting the Digitised Body: The Use of the ëScanned iní Body for making Artworks
Graham Diprose, London College of Communication
- Escape from Flatland
Steve DiPaola, Simon Fraser University, Vancouver, Canada
- Knowledge Based Approach to Modeling Portrait Painting Methodology
Harp music from Geraldine McMahon http://www.geraldinemcmahon.com/
Welcomes, introductions
Prof. William Latham, Goldsmith's College, London
- Keynote: Evolutionary Art
Graham Diprose, London College of Communication
- Escape from Flatland
Tony Harris, UK Government Art Collection, London
- Digital Hindsight
Manolis Lourakis, FORTH-ICS, Greece; Paolo Alongi, SPACE SpA, Italy; Dominique Delouis, Cultural Heritage on Line SA, France; Filippo Lippi, Unicity SpA, Italy; Francesco Spadoni, Rigel Engineering Srl, Italy
- Photorealistic 3D Reconstruction of Perspective Paintings and Pictures
Don McIntyre & Thomas Gierlinger, The Lighthouse, Glasgow
- Augmented Reality for Visualisation of Architectural Design
Piero Bertacchini & Giuseppe Conti, University of Calabria, Italy
- NET Connect – Connecting European Culture through new technology
Steve DiPaola, Simon Fraser University, Vancouver, Canada
- A Knowledge Based Approach to Modeling Portrait Painting Methodology
Sarah McDaid, South Bank University, London
- Visualisation of communication for Human-Computer Interaction Design
Michael Lesk, Rutgers University, USA
- Easy 3D
Film, moving image, animation and vr work by the SMARTlab team including new works by Haim Bresheeth, Taey Kim, Jana Riedel,Kasia Molga, Leslie Hill, and others
Very important: please REGISTER if you haven't already.
Equally important: if you are bringing a Mac laptop, don't forget to bring the ADAPTER to connect it to the projector cable, as there are too many varieties for us to provide them.
A conference schedule with times is now available. Please email suzanne.keene@ucl.ac.uk at once if there is a problem with the time we have allocated to you, as it may be possible to adjust the speaking order slightly. We do need to freeze the programme very soon so as to get it printed.
As you see, the programme is very tightly timetabled, and chairs will be keeping speakers strictly to time. Please make sure your presentation fits into 20 minutes maximum, including any time for questions.
More information will be provided about this shortly on this website page. There will be a data projector, audio connection and internet connection. In general,
We ask all speakers please to check in with the a/v support person, Danny Hollowell, before the session to ensure that everything works correctly, so that we don't have any embarrassing delays during the conference.
This is an opportunity to show off something interactive and exciting and to have a dialogue with EVA delegates.
We will provide each presenter with a display board of dimensions 1830(h) by 1210(w) mm - i.e. approx 6 by 4 ft. It is a free-standing pin-board with a textile covering, onto which anything can be attached by pins or velcro. In addition you may have, if you wish, a 1800x900 table for display of any artefacts or equipment. Power and wireless internet connections are provided. Projection facilities might also be available in the large atrium space at LCC where the event will be held. It may be possible to provide other equipment, such as audio or video, if you require it - please let us know!
Please email Lindsay MacDonald, L.MacDonald@lcc.arts.ac.uk, with your requirements, subject: EVA London Visualisation Presentation.
We have a very exciting programme for EVA London 2007. Thank you very much for your contribution, and we very much look forward to meeting you and enjoying your presentation.
The main EVA Conference will be held in the Podium Lecture Theatre.
The Workshops will be held in the Street Lecture Theatre.
Both rooms have raked seating with the same technical facilities:
- Networked Viglen PC – P4 processor, 512 Mbyte RAM, CD/DVD, USB
- Microsoft Windows 2000 Operating System
- Direct Internet connection via cable at 100 Mbit/sec
- Novell Network Client
- Microsoft Office 2000
- Internet Explorer browser
- Quicktime player software
- Adobe Acrobat reader
- Xnview image viewing software
- Three-channel LCD projector, XGA resolution (1024x768 pixels), 3100 ANSI lumens
- Region-free DVD player and video player (VCR)
- Sound system with mixer desk for inputs from DVD, VCR, PC and portable
- 35mm carousel slide projector with remote control
- Overhead projector (OHP)
- Lapel radio microphone
- White board, flip chart, etc.
- Dimmable room lights
Connections for portable computer include:
- PC-compatible projector cable, internet cable, and audio stereo mini-jack.
Switching between the resident PC and portable is automatic in the
Podium Theatre, and there is a manual switch in the Street Theatre.
Additionally there will be available for the EVA conference both a PC portable and Macintosh portable which can be used as host computers for presentations:
(1) HP tablet PC with Centrino duo processor, 2 Gb RAM, and Windows XP;
(2) Titanium G4 Powerbook (wide-screen) with OSX.
About the schedule: suzanne.keene@ucl.ac.uk
About facilities: L.MacDonald@lcc.arts.ac.uk
or, our a/v support technician Danny Hollowell, d.hollowell@lcc.arts.ac.uk
Please download the registration form and fax or post back with payment details:
Send Registration and Payment to: EVA London 2007 Conference, Prof. Lindsay MacDonald, School of Printing & Publishing, London College of Communication, Elephant & Castle, London SE1 6SB, UK
All enquires:
t: + 44 [0] 207-514-6707
f: + 44 [0] 207-514-6772
e: register@eva-conferences.com
For programme see Conference outline. Papers may be subject to change.
Delegate:
1 day £100
2 days £180
3 days £220
Speaker:
1 day £80
2 days £150
3 days £180
Student: (NUS number required)
1 day £50
2 days £80
3 days £100
Workshop 3 £40
All free of charge except for Workshop 3, but please use the registration form.
Monday 9th July
am: Workshop 1: Research Workshop
pm: Workshop 2: RECOVER and other European projects
Tuesday 10th July
am: Workshop 3: Planning social media for museums
pm: concurrent workshops -
Workshop 4 / meeting (all welcome): Association of fine art photographers
Workshop 5 : European Digital Library: museums and heritage
Evening: Computer Arts Society meeting (all welcome) Birkbeck College
Wednesday 11th July
CONFERENCE
pm: Workshop 6 (concurrent with conference session)
JISC ICT: New directions in e-Science & the Arts
Evening: Reception and visit to Kubrick Archive
Thursday 12th July
CONFERENCE
pm: Visualisation Session
Evening: Conference dinner
Friday 13th July
CONFERENCE
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EVA London 2007 Conference Proceedings.
Principle Editor: Jonathan P. Bowen
Co-Editors: Suzanne Keene & Lindsay MacDonald
It is possible that London College of Communications accommodation may become available. If so this will be announced on the website and via the EVA mail list.
Transport to the London College of Communications is excellent, so hotels north of the river will be as convenient as those on the south bank.
An excellent streetmap service is http://www.streetmap.co.uk
Google Maps misses out occasional streets and even some rail stations.
www.london-se1.co.uk/areas/southbank.html - information about the area, but the
hotels link is not very helpful
http://www.openroads.com/?id=south_bank_hotels
Many hotels listed, mostly to the east, Bermondsey etc, but buses to the Elephant & Castle should be plentiful
For useful hotel reviews, go to http://www.tripadvisor.com/
Hotels quite close by are:
The Bridge Hotel, London
30 Borough Road, Waterloo, London, SE1 0AJ, England, GB
and the
Wellington
81-83 Waterloo Road, Waterloo, London , London SE1 8UD
Also the Mad Hatter, 3-7 Stamford Street | South Bank, London SE1 9NY, England
has reasonable reviews.
This year's EVA London will be at the London College of Communication, University of the Arts London
By Train: The Elephant and Castle site is connected by Thameslink trains from Blackfriars. Download PDF (208kb) rail connection map provided by Transport for London.
By Underground: Both the Bakerloo and Northern Lines stop at Elephant and Castle. Follow the signs on the underpass to London College of Printing (our former name). The College is opposite the shopping centre on the same side of the road as the Metropolitan Tabernacle, just three minutes walk away. Download PDF (266 kb) underground map provided by Transport for London.
By Bus: Elephant and Castle is extremely well provided for with buses including: 1, 12, 35, 40, 45, 53, 63, 68, 100, 133, 148, 155, 168, 171, 172, 176, 188, 322, 188, 322, 333, 343, 344, 360, 363, 453, 468, C10, P5. Download PDF (90kb) bus connection map provided by Transport for London.
Maps: Download PDF (64kb) map of LCC's location. See an area map of LCC's location provided by Google maps.
A streetmap of the area from www.streetmap.co.uk
Address: London College of Communication, Elephant & Castle, London. SE1 6SB
Switchboard: +44 (0)20 7514 6500
Please contact Nick Lambert n.lambert@bbk.ac.uk
EVA conferences have been held since 1994 in over 25 cities and countries. They are cross-sectoral, multi-disciplinary, global events for people interested in new technologies in the cultural sector. The four principal EVA conferences are held annually in Florence (March), London (July), Berlin (November), and Moscow (December).
EVA London:
Suzanne Keene (Chair) - University College London
Co-Chairs
Lindsay MacDonald - London College of Communication
Jonathan Bowen - Independent academic, Museophile
James Hemsley (Founding Chair)
Committee Members
Nick Lambert - Birkbeck College, University of London
Ann Borda - JISC, the Joint Information Systems Committee
Kate Devlin - Goldsmiths College, University of London
George Mallen - System Simulation
Vito Cappellini - University of Florence
Anna Clark – University College London
David Dawson – Museum Documentation Association
Catherine Draycott – Wellcome Picture Library
Stuart Dunn – Kings College London
Lizbeth Goodman – UEL / SmartLab
Peter Hassell – Royal College of Art
Michael Lesk - School of Communication, Information & Library Studies, Rutgers University, USA
Frederic Leymarie - Goldsmiths
Eleanor Lisney - Coventry University
George Mallen – System Simulation, Computer Society
Kia Ng – Leeds Unversity
Nick Poole - Museum Documentation Association
Nancy Proctor – Discovery.com
Jemima Rellie – Tate, Head of Web / information
James Stevenson - Society of Museum Photographers
Holley Witchey - Cleveland Museum of Art, USA
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