24th - 28th July 2001
The Foremost European Electronic Imaging Events in the Visual Arts since 1990
Theme: Co-operation across Northern Europe, North Atlantic & with other regions: Integration between diverse cultural institutions
Venue: Hunterian Museum. University of Glasgow
The Foremost European Electronic Imaging Events in the Visual Arts since 1990
The most recent EVA Scotland was held in 2001
Theme: Co-operation across Northern Europe, North Atlantic & with other regions: Integration between diverse cultural institutions
Venue: Hunterian Museum. University of Glasgow

EVA 2001 Scotland provided a forum for the user, supplier and scientific research communities to meet and exchange experiences, plans and ideas, Participants received up to date international news on new EC & international cultural initiatives & projects.

The Scottish Arts Council (SAC) generously supported EVA 2001 Scotland, Glasgow including the provision of 15 bursaries for artists and representatives of relevant arts organisations within Scotland.
•The Cultural Sector: Museums, Galleries & Libraries
•University & Research Organisations in Technology & the Visual Arts
•Technology, Media & Telecomms (TMT) especially Small and Medium sized Enterprises (SMEs)
•The Government Sector: Local, National & European
•Technology & Visual Arts Researchers
•Tourism & Travel Sector
•User Case Studies of culture x Technology'
•Strategic Issues
•Metadata Repositories
•New Technology Developments from North Europe
•Technology & Visual Arts Research
•New Cultural Technology Business Initiatives
Key Working Issue: North America Europe co-operative relationships
Digital Imaging & Metadata
DIGICULT Roundtable (by Invitation only)
Contemporary Art Documentation
Building a Project Plan: a Hands-on Workshop
SCRAN – Past & Future
Co-Chairs: Jim Devine, Hunterian Museum, University of Glasgow & Bruce Royan, SCRAN
Tools for Networking Cultural Heritage: The NINCH Guide to Good Practice
David Green, The National Initiative for a Networked Cultural Heritage (NINCH), USA
Mapping the Technological Landscapes for Tomorrow's Cultural Economy: The EU's DIGICULT Project
Sandy Buchanan, Scottish Cultural Resources Access Network (SCRAN), Scotland
The European Public Sector Information Network: PSI Net
Mary Rowlatt, Essex County Council & Robert Davies, MDR Partners, London
The Dutch Culturenet as a Gateway to the Dutch Cultural Heritage on the Internet
Marcel Ras, Dutch Digital Heritage Association The Netherlands
The Nordic Project:n2art
Archives & The Role of New Technologies
Patrick Cadell, International Council of Archives, Scotland
The Place is the Brain
Leonard Steinbach, The Cleveland Museum of Art, USA
The Virtual Aura - Is There Space For Enchantment in a Technological World?
Susan Hazan, The Israel Museum, Israel
Virtual Heritage from Glasgow & Lanark
Gareth Ennis, University of Strathclyde, Scotland
Playing to Strengths: New Media At the Cleveland Museum of Art
Holly Witchey, The Cleveland Museum of Art, USA
COMPASS: The British Museum's Collections Multimedia Public Access System
Matthew Cock, The British Museum, London
The Harvard Judaica Imaging Project
Violet Gilboa, Harvard University, USA
Multimedia - Transforming Learning and Teaching in the Arts
Seamus Ross, Humanities Advanced Technology & Information Institute (HATII), University of Glasgow, Scotland
Virtual Reality Applications for the Didactics of Daily Life History
Maria Chiara Liguori, Department of Historical Disciplines of the Bologna University, Italy
Performing Arts in the Digital Age: Preserving the Moment?
Catherine Owen, Performing Arts Data Service, University of Glasgow
To Speak its Pride - John Grierson and the Films of Scotland Committee
Janet McBain, Scottish Screen Archive, Scotland
Co-Chairs: James Hemsley, National Museums of Scotland & VASARI; Ray Welland, University of Glasgow
New Media Art & the Contemporary Museum Environment
Malcolm Ferris, Center for Research in Electronic Art & Communication, University of Hertfordshire
Shot-Level Indexing of Moving Images: N. American Research Results & European Perspectives
James M. Turner, University of Montreal, Canada
SHADE: Smithsonian - Hunterian Digitisation Experiments
Carl C Hansen, Center for Scientific Imaging & Photography, Smithsonian Institution, USA
New Hardware - New Multimedia: Experiments Across Europe
Neil Shaw, The Multimedia Team, National Museums of Scotland, Scotland
Granular Collections Access: Extending the Encoded Archival Description (EAD) with Making Of America II (MOAII) Objects
Guenter Waibel, Berkeley Art Museum & Pacific Film Archive, USA
New Approaches & Tools for Copyright Management
Claude Rollin, SACD, Paris, France
Towards Cultural Multimedia & E-Commerce - the European - Japanese TRADEX project
Vito Cappellini, University of Florence, Italy
The Impact of HAPTIC 'Touching' Technology on Cultural Applications
Stephen Brewster, University of Glasgow, Scotland
3D Acquisition & Modelling of Deformable, Non-rigid Objects Under Movement Using Spectral Coded Lighting
Lothar Paul & Gerd Stanke, GFaI, Berlin, Germany
Pandora: A Box Full of Data Within A JPEG2000 Image File
Greg Colyer, Elysium, UK
From the EC's Fifth Framework Programme (1998 - 2002)
Towards the 6th (2003 - 2006) - The Florence Agenda
The European Commission, Luxembourg
Cultural and Educational Games Workshop
Business Opportunities & Winning Financial Support & the Sixth Framework Programme